List of works
2023
Ten Wee Devon Pints – composition project for clarinet and breweries
Topsail – for clarinet – 3′
2021
Ode to Sausage (Dog) – for basset horn and narrator – 4′
Back to Music – composition and performance project with disabled musicians
2019-21
Radio Sunshine, all that is left – what is left of a soundtrack for a radio play – for clarinet, synths, accordion, vocals and drumkit – ca. 22′
2018
Queen Canute (The Seagull Piece) – for clarinet and seagulls – 10′
2017
Nasal Satan Pie – percussion and loop station – 4′
Tuna Fishing – string orchestra and piano – 8′
Waaschgiischwashäsch – chamber ensemble – 9′
The Voice of the Sea – live electronics using live buoy data – ca 10′
Songs for Lee: Le Dormeur du Val, Les Tenebres, La vie c’est comme une dent – tenor, piano and clarinet – 10′
2016
Sonification of Dark Matter – audio-visual sonification – 18′
2015
Ensaimada – chamber ensemble – 6′
Cigarettes and Social Order for flute, clarinet and percussion
Blyth-Eastbourne-Wembury – electroacoustic sonification – 8′
2013
Pota – cembalom and electronics – 4′
Free the Deepdale Duck – fixed media – 9’35”
Diabolicus – fixed media – 5’09”
2012
Fort Greene – 2 toy pianos – 4′
Gongbang – gong and electronics – 8′
2011-12
Ode to Sausage (Dog) (2021) – for basset horn and narrator – 4′
Radio Sunshine, all that is left (2019-2021) – what is left of a soundtrack for a radio play – for clarinet, synths, accordion, vocals and drums – ca. 22′
Nasal Satan Pie (2017) – for percussion and loop station – 4′
Topsail (2023) – for clarinet – 3′
Tuna Fishing (2017) – for string orchestra and piano – 8′
Waaschgiischwashäsch (2017) – for chamber ensemble – 9′
Songs for Lee: Le Dormeur du Val, Les Tenebres, La vie c’est comme une dent (2014, 2017) – for tenor, piano and clarinet – 10′
Cigarettes and Social Order (2015) – for flute, clarinet and percussion
Ensaimada (2015)- chamber ensemble – 6′
Fort Greene (2012) – for 2 toy pianos – 4′
Gongbang – gong and electronics – 8′
Pota – cembalom and electronics – 4′
Queen Canute (The Seagull Piece) – for clarinet and seagulls – 10′
Blyth-Eastbourne-Wembury – electroacoustic sonification – 8′
Diabolicus – fixed media – 5’09”
Gromper
Free the Deepdale Duck – fixed media – 9’35”
Martin
Sirinus
Sonification of Dark Matter – audio-visual sonification – 18′
Spleen
The Voice of the Sea – live electronics using live buoy data – ca 10′
Back to Music – composition and performance project
Master of the Music
Radio Sunshine, all that is left – what is left of a soundtrack for a radio play – ca. 22′
SOAK
Ten Wee Devon Pints